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Chauve-Souris July 20, 1943
A Russian musical revue that was a sensation on Broadway in several incarnations throughout the 1920's as staged by it's master of ceremonies, Nikita Balieff. This short lived revival was mounted by arrangement with his widow. The show featured colorful Russian costumes, settings, dance, acrobatics, and song and was a wonderful spectacle. The performance featured Dania Krupska, who later became an assistant to Agnes de Mille and an accomplished choreographer.
images available upon request
The Merry Widow (Die Lustige Witwe) July 21, 1943
Rehearsals for the classic Austrian Franz Lehár 1905 operetta with choreography by George Balanchine and starring the celebrated singing couple Jan Kiepura and Marta Eggerth as Prince Danilo and the widow Sonia. Prince Danilo, a carousing rake of a chorus-girl chaser from the mythical land of Marsovia, sets his sights on wooing the richest widow Sonia with an aim to keep her riches within the kingdom of Marsovia. Conducted by the famous operetta composer Robert Stolz and directed by Felix Brentano.
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Felix Brentano July 26, 1943
Director Felix Brentano at the rehearsals for The Merry Widow (Die Lustige Witwe).
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The Merry Widow (Die Lustige Witwe) August 1, 1943
The classic Austrian Franz Lehár 1905 operetta with choreography by George Balanchine and starring the celebrated singing couple Jan Kiepura and Marta Eggerth as Prince Danilo and the widow Sonia. Prince Danilo, a carousing rake of a chorus-girl chaser from the mythical land of Marsovia, sets his sights on wooing the richest widow Sonia with an aim to keep her riches within the kingdom of Marsovia. Conducted by the famous operetta composer Robert Stolz and directed by Felix Brentano.
18 images »
One Touch of Venus August 27, 1943
The rehearsal for the original Broadway musical comedy starring Mary Martin as the statue Venus, who comes to life to woo the shy and befuddled barber played by Kenny Baker. Staged by Elia Kazan, choreographed by Agnes de Mille, with music by Kurt Weill, lyrics by Ogden Nash and book by S.J. Perelman.
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Othello August 30, 1943
Rehearsals for the most celebrated American revival of Othello in the 20th century, starring Paul Robeson as Othello, Uta Hagen as Desdemona, and José Ferrer as Iago. Staged by Margaret Webster.
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Tomorrow the World/Elissa Landi August 30, 1943
A major hit drama about a well-meaning typical American family that adopts a Nazi youth who attempts to indoctrinate them toward his warped values. The play made stars of Skippy Homeier as the 12 year old Nazi youth and Joyce Van Patten as young American daughter Patricia Frame. Written by James Gow and Arnaud D'Usseau.
images available upon request
A New Life September 13, 1943
Produced by The Playwrights' Company and written and staged by Elmer Rice. Nightclub singer Edith Charles (Betty Field) marries Captain Robert Cleghorne (George Lambert), scion to a wealthy Arizona family, after a short and wild romance. After Captain Cleghorne disappears at sea, Edith gives birth to his son at the exact moment of the Captain's unexpected return. A battle ensues between Edith and The Captain's family when they seek to remove the son back to Arizona for a privilaged upbringing, ultimately failing. The play was roundly panned by critics and went on to 70 performances.
images available upon request
Kiss And Tell September 16, 1943
A comedy staged and produced by George Abbott, and starring Jessie Royce Landis and Robert Keith as the parents of teenager Corliss Archer (Joan Caulfield). It also marked the Broadway premiere of Richard Widmark as Lieutenant Lenny Archer. The show was a situation comedy staged around the friends, neighbors, and love interests of Corliss Archer, and was a big success at 956 performances.
images available upon request
Othello September 18, 1943
Margaret Webster and the Theatre Guild's presentation of Othello, starring Paul Robeson in the title role, Uta Hagen as Desdemona, and Jose Ferrar as Iago, in what would become Broadway's longest running staging of the Shakespearean classic at 296 performances. It was a particularly unusual performance in that the role of the Moor, Othello, was played by an African-American on a Broadway stage. It received rave reviews, lauding Robeson, Ferrar, and Hagen equally.
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