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Dancing In The Streets March 12, 1943
Mary Martin's first starring role in a Broadway play, that never made it to Broadway. The play closed in Boston.
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Apology March 18, 1943
Produced and Directed by Lee Strasberg, the play ran for only 8 performances and tells the story of a man who chooses not to marry his childhood sweetheart, instead marrying another woman.
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Three's A Family April 22, 1943
Written by the husband and wife team of Phoebe Ephron and Henry Ephron, the parents of Nora Ephron. A three act farce about an extended family crammed into a small Manhattan Upper West Side apartment. The play ran for 497 performances, well into the next season.
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First Million April 26, 1943
An Ozark hick family of bank robbers resolves to save every penny until they accumulate their first million, only to be thwarted by the honesty of their own turncoat son. The play was a flop and ran for only 5 performances.
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Sons o' Fun May 1, 1943
Originally starring Olsen and Johnson (Ole Olsen and Chic Johnson), Carmen Miranda, and Ella Logan
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Early To Bed May 6, 1943
Written by George Marion, Jr., with music by Thomas "Fats" Waller. Musical comedy mixups at a Martinique bordello run by Madame Rowena (Muriel Angelus) and her gaggle of guests. The show was a hit, with a lot of the music also featured in Ain't Misbehavin' in 1978 as a retrospective of the life of "Fats" Waller.
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Early To Bed May 22, 1943
Written by George Marion, Jr., with music by Thomas "Fats" Waller. Musical comedy mixups at a Martinique bordello run by Madame Rowena (Muriel Angelus) and her gaggle of guests. The show was a hit, with a lot of the music also featured in Ain't Misbehavin' in 1978 as a retrospective of the life of "Fats" Waller.
images available upon request
The Student Prince June 10, 1943
An operetta revival with music by Sigmund Romberg and directed by Jacob J. Shubert, featuring perennial Shubert favorite Everett Marshall as Dr. Engel, Frank Hornaday as Prince Karl Franz, and Barbara Scully as Kathie. The show was toured endlessly in revivals by the Shuberts, who considered it a guaranteed moneymaker. A young Prince falls in love with a barmaid whilst studying at Heidelberg with his tutor, Dr. Engel.
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Room Service June 25, 1943
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Rosalinda (Die Fledermaus) July 6, 1943
Max Reinhardt's production based on the operetta "Die Fledermaus", composed by Johann Strauss, Jr. and conducted by Erich Wolfgang Korngold. The show was a phenomenal unexpected success and ran for 611 performances.
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Chauve-Souris July 20, 1943
A Russian musical revue that was a sensation on Broadway in several incarnations throughout the 1920's as staged by it's master of ceremonies, Nikita Balieff. This short lived revival was mounted by arrangement with his widow. The show featured colorful Russian costumes, settings, dance, acrobatics, and song and was a wonderful spectacle. The performance featured Dania Krupska, who later became an assistant to Agnes de Mille and an accomplished choreographer.
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The Merry Widow (Die Lustige Witwe) July 21, 1943
Rehearsals for the classic Austrian Franz Lehár 1905 operetta with choreography by George Balanchine and starring the celebrated singing couple Jan Kiepura and Marta Eggerth as Prince Danilo and the widow Sonia. Prince Danilo, a carousing rake of a chorus-girl chaser from the mythical land of Marsovia, sets his sights on wooing the richest widow Sonia with an aim to keep her riches within the kingdom of Marsovia. Conducted by the famous operetta composer Robert Stolz and directed by Felix Brentano.
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Felix Brentano July 26, 1943
Director Felix Brentano at the rehearsals for The Merry Widow (Die Lustige Witwe).
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The Merry Widow (Die Lustige Witwe) August 1, 1943
The classic Austrian Franz Lehár 1905 operetta with choreography by George Balanchine and starring the celebrated singing couple Jan Kiepura and Marta Eggerth as Prince Danilo and the widow Sonia. Prince Danilo, a carousing rake of a chorus-girl chaser from the mythical land of Marsovia, sets his sights on wooing the richest widow Sonia with an aim to keep her riches within the kingdom of Marsovia. Conducted by the famous operetta composer Robert Stolz and directed by Felix Brentano.
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One Touch of Venus August 27, 1943
The rehearsal for the original Broadway musical comedy starring Mary Martin as the statue Venus, who comes to life to woo the shy and befuddled barber played by Kenny Baker. Staged by Elia Kazan, choreographed by Agnes de Mille, with music by Kurt Weill, lyrics by Ogden Nash and book by S.J. Perelman.
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Othello August 30, 1943
Rehearsals for the most celebrated American revival of Othello in the 20th century, starring Paul Robeson as Othello, Uta Hagen as Desdemona, and José Ferrer as Iago. Staged by Margaret Webster.
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Tomorrow the World/Elissa Landi August 30, 1943
A major hit drama about a well-meaning typical American family that adopts a Nazi youth who attempts to indoctrinate them toward his warped values. The play made stars of Skippy Homeier as the 12 year old Nazi youth and Joyce Van Patten as young American daughter Patricia Frame. Written by James Gow and Arnaud D'Usseau.
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A New Life September 13, 1943
Produced by The Playwrights' Company and written and staged by Elmer Rice. Nightclub singer Edith Charles (Betty Field) marries Captain Robert Cleghorne (George Lambert), scion to a wealthy Arizona family, after a short and wild romance. After Captain Cleghorne disappears at sea, Edith gives birth to his son at the exact moment of the Captain's unexpected return. A battle ensues between Edith and The Captain's family when they seek to remove the son back to Arizona for a privilaged upbringing, ultimately failing. The play was roundly panned by critics and went on to 70 performances.
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Kiss And Tell September 16, 1943
A comedy staged and produced by George Abbott, and starring Jessie Royce Landis and Robert Keith as the parents of teenager Corliss Archer (Joan Caulfield). It also marked the Broadway premiere of Richard Widmark as Lieutenant Lenny Archer. The show was a situation comedy staged around the friends, neighbors, and love interests of Corliss Archer, and was a big success at 956 performances.
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Othello September 18, 1943
Margaret Webster and the Theatre Guild's presentation of Othello, starring Paul Robeson in the title role, Uta Hagen as Desdemona, and Jose Ferrar as Iago, in what would become Broadway's longest running staging of the Shakespearean classic at 296 performances. It was a particularly unusual performance in that the role of the Moor, Othello, was played by an African-American on a Broadway stage. It received rave reviews, lauding Robeson, Ferrar, and Hagen equally.
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One Touch of Venus September 22, 1943
Directed by Elia Kazan and starring Mary Martin. Choreography by Agnes De Mille. The images from this performance were taken in Boston, two weeks before the October 7, 1943 opening on Broadway at the Imperial Theatre.
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The Merry Widow (Die Lustige Witwe) October 3, 1943
First dress rehearsal images for the classic Austrian Franz Lehár 1905 operetta with choreography by George Balanchine and starring the celebrated singing couple Jan Kiepura and Marta Eggerth as Prince Danilo and the widow Sonia. Prince Danilo, a carousing rake of a chorus-girl chaser from the mythical land of Marsovia, sets his sights on wooing the richest widow Sonia with an aim to keep her riches within the kingdom of Marsovia. Conducted by the famous operetta composer Robert Stolz and directed by Felix Brentano.
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Winged Victory October 8, 1943
A poignant play by Moss Hart with an enormous cast of armed forces men, and uniquely, women. The show was written by order of General Arnold of the U.S. Army, with all proceeds benefiting the Army Relief Fund of 1943. It told the story of the growth of the Air Force, following six soldiers from civilian life to battlefield flight. Hart traveled 28,000 miles with Air Force men to research the project. It later became a 20th Century Fox film, retaining most of the original cast members.
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Get Away Old Man November 23, 1943
A comedy written by William Saroyan, produced and directed by George Abbott. Starring Richard Widmark as the self-aggrandizing writer Henry Bird, who is hired by a Hollywood producer (Ed Begley) to create a script for a film about "all mothers everywhere." Saroyan wrote the show upon his return from Hollywood, where he wrote "The Human Comedy."
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Storm Operation November 24, 1943
A Maxwell Anderson play produced the The Playwrights' Company. Anderson spent significant time on the North African front with General Eisenhower researching for the work, which was ultimately panned by critics and ran only 23 performances. Oddly, the play was selected by the Burns Mantle annual as one of the season's 10 best plays.
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The World's Full Of Girls November 1943
A flop of 9 performances over 6 days produced by Jed Harris, written by Nunnally Johnson and based on the novel "'Till I Come Back To You" by Thomas Bell.
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Carmen Jones December 2, 1943
George Bizet's opera Carmen reset in a parachute factory in the wartime South. Lyrics by Oscar Hammerstein II and produced by Billy Rose. These images are from the opening night performance.
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Mexican Hayride December 28, 1943
A musical starring Bobby Clark as a comedic con-man on the lam in Mexico, and featuring June Havoc as an American female bullfighter. Book by Herbert Fields and Dorothy Fields. Produced by Mike Todd. Music and lyrics by Cole Porter, who found a much needed hit in the song, "I Love You."
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A Connecticut Yankee circa 1943
A jive-talk, wartime update of the 1927 classic. Music by Richard Rodgers and lyrics by Lorenz Hart. Book by Herbert Fields and staged by John C. Wilson. Featuring dancer Vera-Ellen. The show was the last by Lorenz Hart, who was ejected for being drunk and disorderly from the opening night performance, dying a few weeks later from pneumonia. The production reprised the old standards, "My Heart Stood Still" and "Thou Swell", and introduced a new show-stopping number, "To Keep My Love Alive", which was added for Vivienne Segal, fresh from her Broadway run in the hit, Pal Joey.
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Harriet circa 1943
The story of Harriet Beecher Stowe starring Helen Hayes, staged by Elia Kazan, and produced by Gilbert Miller.
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New Faces of 1943 (New Shoes) circa 1943
Another Leonard Sillman musical revue, albeit one with unfavorable reviews. The show featured John Lund, who later became a big star at Paramount Studios, Irwin Corey, Doris Dowling, and Alice Pearce.
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Oklahoma! circa 1943
The musical that redefined what a musical could be for Broadway. A love triangle storyline and classic songs such as "The Surrey with the Fringe On Top" and "Oh, What A Beautiful Mornin'" all led to a staggering 2,212 performance phenomenon. Richard Rodgers music, Oscar Hammerstein II lyrics, Agnes de Mille choreographer, Alfred Drake and Joan Roberts star, and directed by Rouben Mamoulian at the St. James Theatre.
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Ziegfeld Follies circa 1943
Upon the death of Florenz Ziegfeld in 1931, his widow Billy Burke sold the rights to the valuable phrase "Ziegfeld Follies" to her husband's long time rivals, the Shuberts, who staged editions of the follies in 1934, 1936, 1943, and 1957. This edition of the elaborate musical revue starred Milton Berle, Ilona Massey, and Arthur Treacher.
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The Cherry Orchard January 6, 1944
The last play by Russian playwright Anton Chekhov about an aristocratic family that loses their estate to a man coming up from a lower social class. The play ends with the axe chopping sounds of the estate's cherry orchard being cut down by the new owner. Directed by and starring Eva Le Gallienne at the National Theatre.
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Jacobowsky and The Colonel January 26, 1944
An arrogant Polish Colonel (Louis Calhern) and shy but wily Jew S.L. Jacobowsky (Oscar Karlweis) find themselves escaping from the Nazi invasion of Paris in 1940. This comedy-drama written in German by Franz Werfel was first adapted into English by Clifford Odets and later rewritten by S.N. Behrman. Staged by Elia Kazan.
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Allah Be Praised February 13, 1944
Despite a cast headed by Broadway favorites Patricia Morison, Mary Jane Walsh, Jack Albertson, Joey Faye, and Sid Stone, and dances performed by Anita Alvarez, Milada Mladova and the Kraft Sisters staged by Jack Cole, this lumbering musical excursion to Teheran proved to be a humorless dud.
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A Highland Fling March 11, 1944
An 18th century gentry ghost (Ralph Forbes) in a Scottish castle seeks to free himself after 150 years by finding a sinner to reform to good in this George Abbott staged comedy that ran for 28 performances at the Plymouth Theatre.
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The Searching Wind March 29, 1944
A scathing indictment of appeasement and the public's indifference to it, The Searching Wind tells the story of a husband, wife, and his former flame set against the rise of Fascism in western Europe from 1922 until 1944. Written by Lillian Hellman, and featuring Dennis King, Cornelia Otis Skinner, Barbara O'Neil, and Montgomery Clift.
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Pick-Up Girl April 14, 1944
Rehearsal images from the Elsa Shelley courtroom drama about a young deceased delinquent girl.
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Pick Up Girl May 2, 1944
An examination of all the aspects of juvenile delinquency in close detail for the first time on a Broadway stage. Written by Elsa Shelley, the play was somewhat well received but also criticized for its numerous sordid details that detracted from the drama.
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Stovepipe Hat May 12, 1944
Out-of-town tryout of the Walter F. Hannan, Edward Heyman and Harold Spina musical flop at the Shubert Theatre in Boston, Massachusetts. The production opened May 16th, 1944 at the Shubert Theatre in New Haven, Connecticut and closed in Boston, canceling the scheduled Broadway opening. Featuring Morton Da Costa and Parker Fennelly, choreographed by Helen Tamiris, with sets and costumes designed by Lucinda Ballard.
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Anna Lucasta June 21, 1944
Successful American Negro Theatre production about a prostitute (Hilda Simms) who is redeemed by the unconditional love of her husband (Earle Hyman). The performances of the family members gained repeated praise from the critics, in particular Canada Lee, Rosetta LeNoire, Frederick O'Neal, and Alice Childress. Several cast members made notable achievements later in their careers, including O'Neal who became the first black president of the Actors' Equity Association, and Hyman who became very well known in the 1980's as Russell Huxtable on "The Cosby Show".
images available upon request
Kiss And Tell July 5, 1944
A comedy staged and produced by George Abbott, and starring Jessie Royce Landis and Robert Keith as the parents of teenager Corliss Archer (Joan Caulfield). It also marked the Broadway premiere of Richard Widmark as Lieutenant Lenny Archer. The show was a situation comedy staged around the friends, neighbors, and love interests of Corliss Archer, and was a big success at 956 performances.
images available upon request
Catherine Was Great July 18, 1944
In an elaborate Mike Todd production, Mae West as empress Catherine The Great seduces all the men in her court except for Ray Bourbon, who plays a fay dress designer. She saves all of Russia, but not her reputation as a playwright in this ill-conceived muddle.
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Anna Lucasta August 30, 1944
Successful American Negro Theatre production about a prostitute (Hilda Simms) who is redeemed by the unconditional love of her husband (Earle Hyman). The performances of the family members gained repeated praise from the critics, in particular Canada Lee, Rosetta LeNoire, Frederick O'Neal, and Alice Childress. Several cast members made notable achievements later in their careers, including O'Neal who became the first black president of the Actors' Equity Association, and Hyman who became very well known in the 1980's as Russell Huxtable on "The Cosby Show".
images available upon request
While The Sun Shines September 8, 1944
The George S. Kaufman-staged English comedy import, whose laughs revolve around the wooing of a bride-to-be (Anne Burr) by a French airman (Alexander Ivo) and an American lieutenant (Lewis Howard), and the outlandish silliness of her father (Melville Cooper).
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Sadie Thompson September 21, 1944
A musical version of W. Somerset Maugham's "Rain," in which the title character was originally offered to Ethel Merman, who turned it down, and was replaced by June Havoc. The production was directed by Rouben Mamoulian, whose previous Broadway show was Oklahoma!.
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Rebecca September 1944
Daphne Du Maurier's adaptation of her own novel "Rebecca" satisfied the curiosity of hinterland theatregoers eager to see Diana Barrymore and her husband Bramwell Fletcher in the roles played so brilliantly in the 1940 Hitchcock film version with Joan Fontaine and Laurence Olivier. Gotham critics were not kind, and the show ran a mere 20 performances.
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Sing Out Sweet Land (part of series: American History In Song) November 1944
Walter Kerr's colorful salute to American folk and popular music, produced by the Theatre Guild and featuring Alfred Drake, fresh from Oklahoma!, Burl Ives, and Juanita Hall.
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Many Happy Returns December 11, 1944
A very poorly received comedy starring Mary Astor, in her Broadway debut, as Cynthia Laceby and Neil Hamilton as Henry Burton. The show follows the wooing escapades of a sophisticated woman who ensnares a young man, his older banker father, and then several other men before the curtain falls for 1 of only 3 performances.
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